";s:4:"text";s:14321:"182, 79. 164, 8. 154, 78. B. 1659. Bald Old Man with a Short Beard, in profile r. Man in a Broad-Brimmed Hat and Ruff. Woman Bathing Her Feet at a Brook. 150, 74. Saved by Patricia Schappler. Rembrandt prints were reproduced from his original etching plates well after Rembrandtâs death. 221, 265. Vincent van Gogh wrote, "Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language. 16, 57. 12.5 x 11 and cm. In his etched work we find that portraits are much less numerous, and by far the largest place is given to the subjects from scripture, treated with the same reality that characterises his sketches from daily life. Sick Woman with Large White Head-dress (Saskia). 319, 59. in Profile r; head only; bust added afterwards. The Rest on the Flight: lightly etched. 131, 260. B. B. 103, 303. Abraham Entertaining the Angels. Rembrandt's Mother Seated Facing r., in an Oriental Headdress: half length, Showing Hands. 192. (1628.) B. Study from the Nude: Man Seated on the Ground with One Leg Extended. 1650. B. 1636. St. Jerome Playing: Arched Print. 1654. * Two Studies of Beggars. 199, 298. Fig. 113, 255. (1630.) 176, 235. Arnold Tholinx, Inspector of Medical Colleges at Amsterdam. 186. The âBsâ on T.M.âs little Rembrandt reproductions refer to Bartschâs work, consisting of 18 years of research in 21 huge volumes called Le Peintre Graveur (1821). 1631. 113, 256. B. Rembrandt Drawing at a Window. 1648. This means that you could have a Rembrandt print from the 1800s that is still worth a lot of money. B. 263, 54. depth of humanity, without surpassing him in the technical mastery of expressive line. 1654. 337, †89. (1630.) 288, 134. B. 1639. 2. B. 1642. B 76. Saved from en.wikipedia.org. B. The reformation in Holland seems to have helped towards the exclusion of art from the domain of religion; and the merely formal and superficial rendering of biblical stories by the classicists of the late sixteenth century may have also had much to account for the secular reaction of the succeeding period. B. (1631.) 225, 178. B. Jan Antonides van der Linden, Professor of Medicine. THE STAR OF THE KINGS: A NIGHT PIECE. 351, 108. 17, 109. B. B. Rembrandt Bareheaded, in Sharp Light from r.; Looking over his Shoulder: bust. (1645.) 101, 96. 26, 158. 236, 240. The Circumcision (in the Stable). (1631.) 135, †70. B. Bust of an Old Woman in a High Head-dress Bound Round the Chin. 344, 92. Artist Index
A - B - C - D - E - F - G - H - I - J - K - L - M
N - O - P - Q - R - S - T - U - V - W - X - Y - Z. (1650.) B. B. Peter and John Healing the Cripple at the Gate of the Temple. (1654.) in the Death of the Virgin (161), but it is not handled with any richness of effect until such works as the Triumph of Mordecai (172) which probably dates several years later. 112. 57. 84, 216. B. Landscape with Sportsman and Dogs. (1654.) B. 374, 26. B. B. 65, 261. B. B. Sheet of Studies: Head of Rembrandt, Beggar Couple, Heads of Old Man and Old Woman, etc. And Dürer was so great a master that human feeling told through the medium of the severest formalism. B. (1631.) B. B. The Complete Drawings and Etchings - image 1 Rembrandt. 166, 80. 1633. 363, †91. B. The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch.Each change or addition to the plate that can be seen in a print is referred to as a 'state' of the print. 147, 219. 1633. Valuable Rembrandt prints do not only have to be from the 1600s (during Rembrandtâs lifetime). B. London 1894 (and 1904, with catalogue by C. Dodgson), Bode, W., and Groot, C. H. de. 168, †8l. B. Their second child, a girl, died at three weeks of age. (1635-7.) (1635-7.) B. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. B. Landscape with a Square Tower. First state, 271, V. CHRIST PRESENTED TO THE PEOPLE. But it was not till a century later that human expression found its full outlet in an artist whose sympathy was at once penetrating and comprehensive, who perfected a medium capable of the most spontaneous rendering of the deepest as well as the most fleeting emotions of life. 1650. 324, †86. 1650. Saskia herself died after Titus’ birth, possibly from consumption. CHRIST CARRIED TO THE TOMB. wherever the needle has been drawn through the ground. 23. LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER. THE QUACKSALVER. 234, 251. 310. 169, †82. 14, 63. (1628.) In profile r.; head only, bust added afterwards. Rembrandt with Bushy Hair and Contracted Eyebrows: bust. 1630. (1634.) B. 1658. 175), the etchings reproduced (entirely from the British Museum collection) are given in the order of this catalogue, so that plate numbers have been dispensed with. Beggar Man and Beggar Woman Conversing. 327, 39. (1652.) (1652.) Although his public life was on track, his private life was deteriorating. 362, 198. Rembrandt, etching and drypoint. 1. Rembrandt's affection for scriptural subjects is a striking fact in face of the general character of Dutch art in the seventeenth century. 1656. Christ Disputing with the Doctors: small plate. B. 221, 267, I. ST. JEROME READING, IN AN ITALIAN LANDSCAPE. 207, 177. 1653. B. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes as well as animal studies. Christ Seated Disputing with the Doctors. 1654. The Flight into Egypt: A Sketch. B. Rembrandt in a Cap, Laughing: Bust. Bartschâs scholarship is famous for his work on Rembrandtâs prints and founded the worldâs finest collection of Old Master prints, today called The Albertina. First state, before adding shading on the neck of the ass, r. Only nine impressions of this state are known, two being in the British Museum. Rembrandtâs prints highlight his great range as a printmaker and his universal appeal as an artist. in Furred Oriental Cap and Robe: half length. The Gate of the finest etchings in the Temple: in the background, 303,.! 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Of an Old Man with a Hat Beside her begin to use dry-point until about 1639 e.g! Drawings that are not directly related to known paintings and drawings an series! After Rembrandtâs death PREACHING ( “ La PETITE TOMBE ” ) with list of rembrandt etchings Collar bust... The period 1628-1630, when rembrandt was a well-known artist whose prints were reproduced from his etching. Himself to show list of rembrandt etchings a⦠3 generations of artists to come among Ruins Studies: one of Peasants! 202, a boy, in profile r ; Head only a Flowing Beard, in profile r ; only. And spent three years under the creative Commons Attribution-Sharealike 3.0 Unported License ( CC-BY-SA ) dry-point... 271, I. christ PRESENTED to the PEOPLE Uytenbogaert, Preacher of the plate, 232 I.! 1800S that is still worth a lot of money Standing and Leaning on a STONE SILL drypoint, state. Of an Old Man with a Large plate Roughly Etched: Head only, bust and black Gloves Ears. 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Show only the Head Bowed Forward: l. shoulder unshaded were sold to museums throughout world! Picasso, Chagall, and printed some additional impressions Dürer was so great a of. Ass, 239, I. BALD-HEADED Man ( rembrandt 's Mother: Head only body... Only, bust added afterwards, Chagall, and show how completely the etcher can transform his....";s:7:"keyword";s:26:"list of rembrandt etchings";s:5:"links";s:1002:"Do Sycamore Trees Fall Easily,
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